Conversely, in the course of scoring a film, a composer may convince the director of viable alternatives and approaches to the temp.
Like the temp, he uses a sustained, underlying tone (pedal point) for much of the cue.
Comprised of what is familiar to us all, the temp track is 'music-in-common' - popular music and a gateway toward informing textual analysis.
Prendergast did not incorporate those sections in his temp.
In creating temp tracks, music editors attempt to accommodate a triumvirate of creative forces - director, music supervisor, and composer.
So strong and adaptable are the codes that composers are often confounded by the boundaries that temp tracks impose.
In building a temp track, a music editor must address and consolidate managerial, commercial, musical and cultural concerns.
The temp track, in most cases, is a veritable blueprint of a film's soundtrack - a musical topography of score, songs, culture and codes.
中文繁体
(尤指辦公室的)臨時僱員…
More中文简体
(尤指办公室的)临时雇员…
MoreEspañol
trabajador, -ora temporal, hacer un trabajo temporal…
MorePortuguês
(funcionário) temporário, (funcionária) temporária, trabalhar em empregos temporários…
More日本語
臨時社員, 臨時で働く…
MoreTürk dili
geçici görevle çalışan kişi, yerine bakan kimse, geçici çalışan…
MoreFrançais
intérimaire, faire de l’intérim…
MoreCatalan
temporer, -a, fer una feina temporal…
More