ตัวอย่าง temp

• Conversely, in the course of scoring a film, a composer may convince the director of viable alternatives and approaches to the temp.

• Like the temp, he uses a sustained, underlying tone (pedal point) for much of the cue.

• Comprised of what is familiar to us all, the temp track is 'music-in-common' - popular music and a gateway toward informing textual analysis.

• Prendergast did not incorporate those sections in his temp.

• In creating temp tracks, music editors attempt to accommodate a triumvirate of creative forces - director, music supervisor, and composer.

• So strong and adaptable are the codes that composers are often confounded by the boundaries that temp tracks impose.

• In building a temp track, a music editor must address and consolidate managerial, commercial, musical and cultural concerns.

• The temp track, in most cases, is a veritable blueprint of a film's soundtrack - a musical topography of score, songs, culture and codes.

• Before the real score replaces the temp track, the temp track as mock-up is deemed artistically and commercially viable by audience reaction.

• The process, by which compilation scores were assembled, bears a fundamental similarity to the music editor's creation of temp tracks.

• The temp track had its precursor in the silent era's compilation scores.

• Often knowing who the composer will be prior to creating the temp, she can address the perspectives of both director and composer.

• The temp track, in its accessibility to musician and non-musician alike, serves as the touchstone from which a concerted sculpting of musical design, concept, and associations emanate.

• The temp track is a multi-level blueprint as well as barometer, revealing an essential vision of intent, the employment of cultural/affective codes, and audio-visual conventions.

• Zimmer both follows the dramatic contour of the temp, but offers a significantly modified approach to the actual composition.