Many of the computer-processed sounds are triggered by timbres and tempi generated by the pianist.
In the case of playing segments in different tempi and uni- and bilateral play, there exist no comparable results.
They played the par ts in different segments and played segments in different tempi.
The virtual musicians followed the conductor's tempi successfully in the concert.
There was encouragement of strong musical imagery through building up ensemble textures, setting good tempi and modelling expressive phrasing.
The varying tempi of the sounds also adds further interest.
The swapping of different tempi, not allowing any one tempo to settle for more than a bar or so, reflects that aspect of her trauma.
The popcorn generates a very specific sound, and moreover, they have to look at a screen, while chewing within prescribed tempi!
