The less conventional fourth movement, marked "andante, non presto", is a charming and stately gavotte with elegant variations for the two violins.
It is danced in quick double time, somewhat resembling the gavotte.
He also wrote fifteen part songs, an introduction and gavotte for piano and violin, and four pianoforte pieces.
The alto aria is remarkable for its binary-form ritornello and blues-like final cadence; structurally, the movement is a gavotte.
The closing chorus is similar to a gavotte in style.
Rhythmically, it is in the form of a gavotte.
The central idea is stated by the orchestra in a hesitant, piquant gavotte.
They considered different companies and danced a series of marital gavottes with different partners, all of which broke up.
