Meters where the caesura does not reflect an empty position contrast with the other set of meters in the duration of the caesural pause.
In the second class of cases, the caesura marks a line-internal break where the pause is not factored in while parsing a given meter.
In the first class of cases, the caesura correlates with the absence of syllabic material to fill up a specific metrical position within a line.
Freedom can be found through the imposition of a historical caesura, through a vanquishing of the future.
It would be worthwhile to obtain experimental evidence in order to compare the effects of the two kinds of caesurae on their syllabic environment.
The caesura positions mark syncopation achieved by specifying strong nodes as empty.
Up until the second caesura, all feet but the second one could be parsed as either iambic or trochaic feet.
Is it the melodies of irregular, ametrical structure, without caesura-stressing cadences?
