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These books were dubbed pulp fiction because they were inexpensive and usually sensational or low-brow, much like the pulp magazines of the first half of the 20th century.
Philips started writing short stories for pulp fiction magazines in the 1920s and 1930s.
Russell wrote pulp fiction in the 1930s.
That gives a whole new dimension to the phrase "pulp fiction".
Using stenographers, he wrote up to 8,000 words of pulp fiction per day.
Because of the low quality of production, they earned the name pulp fiction.
Occasionally, it would be used in pulp fiction and other works of early 20th-century fiction to denote expletives that would otherwise have been censored.
Early in his writing career, he also published numerous short pulp fiction stories.
His images and their corresponding captions employ art and language inspired by pulp fiction and adventure comics with intellectual jokes and references.
Although he began his career as a novelist, he gained popularity for his works of pulp fiction.
Full of swordplay and daring feats, the novel is considered a classic example of 20th century pulp fiction.
He continued to write pulp fiction throughout his teen years.
Its focus is affordable paperback reprints of classics and scholarly works, as well as popular and pulp fiction.
Exploitation fiction grew out of pulp fiction of the 1930s and 40s.
As was custom with pulp fiction novels, neither the cover art nor the title were under the control of the author.
