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The pelog bonang will each have fourteen gongs.
A good "bonang" player will choose a "sekaran" based on how the other instruments and the "sindhen" are improvising.
Archaic ensembles may still include such instruments as the gambang gangsa, slentho (in place of slenthem), and bonang panembung.
They are usually played with similar padded sticks to the bonang, except larger.
It is usually preceded by "imbal", an interlocking pattern between the "bonang barung" and the "bonang panerus".
Bonang may be made of forged bronze, welded and cold-hammered iron, or a combination of metals.
They are shaped like bonang, but are generally placed in their own frame ("rancak").
Buka are often played by the bonang barung in the so-called loud style.
It thus is similar to the bonang, kempyang and ketuk, which are also cradled gongs.
The front section of the orchestra is diverse, and includes rebab, suling, siter, bonang and gambang.
In classical degung, the bonang serves as a conductor for the whole ensemble.
However, unlike the other sarons, the center of its keys have a boss similar to that of a bonang.
Often the individual pots can be removed from the frame and played individually as bonang in beleganjur.
Each is tuned to a specific pitch in the appropriate scale; thus there are different bonang for pelog and slendro.
Both "bonang" and "saron" patterns generally are made of scalar passages that end on the "seleh" at the end of the "gatra".
