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The use of alto clef is usually confined to orchestral first trombone parts, with the second trombone part written in tenor clef and the third (bass) part in bass clef.
The first four movements are played in standard tuning, although due to the number of low notes, the last movement is notated with an additional bass clef.
As the alto trombone declined in popularity during the 19th century, this practice was gradually abandoned and first trombone parts came to be notated in the tenor or bass clef.
Romberg is responsible for simplifying cello notation to only three clefs, the bass clef, the tenor clef and the treble clef.
Some composers notated it in the bass clef, when the lower register was persistently used, and historically several other options were employed.
Its music is written in the bass clef.
The music is notated on three systems, with the melody being noted on the upper system with the bass clef.
Consequently, when its music is written in treble clef, the tuba is a transposing instrument, but not when the music is in bass clef.
These days a special "percussion clef" is used, while previously the bass clef was used.
Bass clef is the bottom clef in the grand stave for harp and keyboard instruments.
Treble (alto) and tenor sizes do not transpose at all, while the bass and great bass sound one octave above written (bass clef) pitch.
These instruments use bass clef for their low- to mid-ranges; treble clef is also used for their upper extremes.
Since much of the double bass's range lies below the standard bass clef, it is notated an octave higher than it sounds.
Both the fantasy and sonata are linked by a focus on the bass register and octaves in the bass clef.
Trombone parts are typically notated in bass clef, though sometimes also written in tenor clef or alto clef.
