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Authenticity arguably has a further dimension, beyond the information and autonomy requirements, namely richness.
This may be the most practical guide yet for music educators who are searching for authenticity in their world musics teaching.
Such authenticity does not reside in objects but in the visitor's experienced relationship to a set of objects.
For another, in a new world dominated by service and information economies, globalization engenders a seemingly paradoxical valuing of community and authenticity.
But it was unscholarly, in the sense that doubtful and questionable matter was accepted in an uncritical spirit and interspersed among documents of reliable authenticity.
And they appropriate this attributed authenticity for themselves to increase their own, yes, 'nocturnal capital', earning them bragging rights back home.
But it is surely simplistic to posit that multiplicity and hybridity are necessarily good and that essence and authenticity are necessarily bad.
This intensification of notions of authenticity means that bootlegging and tape trading may not pose the threat to the official industry that is often assumed.
This pervasive spatial metaphor encapsulates local notions of identity and authenticity.
What is successfully presented for consumption by outsiders also redefines the parameters of legitimacy and authenticity for indigenous audiences.
Authenticity is constructed discursively: within musical communities, fans, critics and performers argue about what constitutes authenticity and why.
If there is an anomaly here it has much to do with the complexities of the local/global relationship and the central issue of authenticity.
Accentuating authenticity and a concomitant cultural autochthony, their vividness breeds essentialization and theoretical impasse.
In these cases, they showed the knowledge of how materials, especially cer tain harmonic colours and textures, work to create mood and stylistic authenticity.
The more highly a collector values authenticity, the more motivated a seller is to fake it.