0 involving more than one form of public communication:
Their advertising campaign includes cross-media coverage on television, radio, newspapers, and the internet.
In cross-media listening visual musical works are considered within a broader instructional framework.
I begin by referring to the broader musicological context of cross-media listening and provide a working definition of a visual musical work.
With cross-media listening, a particular kind of (filmic) description or explanation is already 'built in' to the visual musical works selected for study.
Grounded in sound pedagogical principles and expounded through a series of analyses, cross-media listening advocates a reintegrated, multi-domain approach to encountering music in educational settings.
Environmental impacts have to be assessed from an integrated, cross-media perspective.
Similarly, cross-media issues were considered as a very complex and methodologically unresolved issue.
Secondly, there are cross-media impacts, which means that the impact of the techniques on all three interrelated environmental media, water, air and land should be considered.
I then turn to a detailed discussion of specific visual musical works as employed in actual cross-media listening and trialled in my own recent secondary and tertiary teaching.
