Príklady gaze

• He gazed out over the emptiness of the moors.

• He gazed at her, his eyes full of longing.

• She gazed in admiration at his broad, muscular shoulders.

• She was gazing out the window, rocking rhythmically to and fro.

• The women sitting opposite us were gazing admiringly at baby Joe.

• Her gaze fell upon a small box at the back of the shop.

• I could feel his malevolent gaze as I walked away.

• I averted my gaze while he dressed.

• He turned a cold, reptilian gaze on me.

• She returned his gaze steadily.

• Playing on the idea of the viewer's gaze, the work hearkens back to such feminist artworks as those of Barbara Kruger.

• Flanagan, whose previous works are set in his native Tasmania, turns his unflinching gaze toward modern-day Sydney.

• Greer claims that artistic images of nubile males pleased the female gaze as much as the male.

• An event to celebrate the beginning of fall by gazing at the autumn moon.

• She gazed up at him seriously, then leaned her puckered forehead on her hand and began to read.

• Addressees gazed immediately at the object when either speaker used the old term.

• The opera, too, ends with the people gazing upwards at a change in the weather, as the storm clears and the sun breaks through.

• If you spend too much time gazing at the horizon, you do not see what is directly under your feet.

• What we have is a palimpsest of looks and gazes sometimes taken from context, at other times set among material facts that blunt hermeneutic tools.

• Sebastian and his female companions are demure, ghostly creatures, alike in their seeming reluctance to be gazed upon.

• She was gazing at him open-mouthed, with undried tears on her nose and cheek and a despairing look on her face.

• He is in love with an idealised image of himself, and this is all he sees when he gazes at her.

• As she does so, she studiously gazes away from the area in which he is skating.

• During the 8.5 second silence (line 2), the child drops his first block in the bucket, gazes at it and rotates the bucket around.

• The fact achieves autonomous status once witnesses or observers from different stations find it identically true to itself at the intersection of their gazes.

• As the act of gazing was not yet evaluated as another facet in the unbalanced power relation between the periphery and the metropolis, it was still considered something positive.

• Occasionally, speakers do produce a gazing pose that seems designed specifically to show other-than-addressed recipients that they are not being addressed, while nonetheless gazing at the intended recipient.

• Males, by contrast, tend to move freely throughout the space, their gazes are more direct both when performing and when not, and they interact freely with friends and strangers alike.