The purpose of this article is to propose and debate the deliberate use of such 'present memory' in the sonic artwork.
This usually does not help us to approach an artwork with an open and impartial mind.
If you have the artwork in another format then please print out the image on good quality paper and this will have to be scanned.
I take measure on her method of viewing an artwork, and understand sonic memory material to perform just such a contingent projection, 'body and soul'.
Problems of mappings of information from one medium to another are considered, along with problems of reception for artworks made with these methods.
Trilling, for example, is remembered more for his criticism and teaching than for his ' ' artworks.
The artwork has a somewhat naive quality that is immediately attractive, and the text is always informative and amusing.
This artwork generates video and multi-channel sound output in real time, responding to changes in traffic patterns on an adjacent street.
