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Make sure you visit the maritime museum if you're interested in anything to do with ships or seafaring.
The museum houses the biggest collection of antique toys in Europe.
Do you know whether the Science Museum charges for admission?
Obviously, the formalised behaviour demanded of visitors is no different from that expected in museums all over the world.
A clear and outspoken choice has been made as to how the museum wants to exhibit its material.
I also do not think that the only future for museums that do want to become more popular is a 'gloomy prospect of complete commodification'.
The desire to link dramatic-looking vases to performance has also led well-respected museums to display misleadingly described vases.
By marketing our music to art galleries and museums, we can reach an audience predisposed to accept the new and unusual in artistic expression.
This manipulation begins beyond the object and outside the museum and its exhibits.
In fact, exterior walls became interior ones as the museum collection expanded.
Nineteenth-century commentators worried that museum-goers would go too far toward one or the other of these extremes.
According to purist views, the exhibition of objects in museums not only irrevocably destroys original contexts, but creates a new context for an object.
This rule may succeed for some destinations, but not for those that have no museums.
A small museum as well as a snack bar, a restaurant, and a souvenir shop were built in the vicinity of the attraction.
Its proponents opt for a more reflexive perspective on museums and their visitors.
Richards points out that while the commodified object obscures its own history and origins, the museum provides such information on labels or in catalogs (60).
But acoustics is not only important in performance spaces: it also has a strong effect on 'non-acoustic' spaces like libraries, museums and dining halls.
In this they closely resembled other state buildings of the period, like libraries and museums, but not only state buildings.
