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The composer Strauss was once challenged to a duel.
The famous jazz musician, Duke Ellington, was a composer, arranger and pianist.
As a composer, he was up there with the best.
In my opinion, no other composers even begin to approach Mozart.
Beethoven, Schumann and Chopin were leading Romantic composers.
The famous 18th-century composer Mozart, for example, wrote part of one of his songs for the piano to sound like the song of his pet bird.
There are many composers and lyricists who became famous for making music for Broadway shows.
His assistance to Wagner at this stage in that composer's career cannot be overestimated.
In closing, it may not be amiss to express the wish that the compositions of women composers could be heard more frequently than they are at present.
It is difficult to learn anything of the boyhood and youth of this rare French composer.
So, at the age of fifty-five, this great composer for the first time ceased to be anxious on the score of his livelihood.
The country has none the less produced some noticeable composers during the past century.
From an electroacoustic composer's perspective, 'entering' the sonic interior can mean different things.
This paper addresses the overwhelming importance which computer music composers usually place on the structural elements of their music.
Probably, once the 'affirmation of life' has been tamed, composers will find it more useful.
Nor could it grant one group control over the creative products of composers and authors.
The composer's role was here to write the piece and the other parties provided advice on how the concepts underlying the piece might be realized.
In the real world, very few of us are composers; in the world of opera everyone is.
As tantalizing glimpses of the fully formed wonders to come, though, they offer a valuable perspective to anyone interested in this singular composer's musical evolution.
The transcript was extensively revised by the composer and edited by the present writer to produce the current version.
There are almost no technological grounds to withhold wax tablets from the hands of composers of polyphony anytime from the eleventh to the fifteenth century.
The only difference for him was that in electronic music the composer is united with the performer.
In the first case the composer seems to connect many of the electronic timbres with hypothetical acoustic instruments.
How should the balance of responsibilities between the composer, the performer (and the audience) be arranged?
The most varied and intense artistic reaction to the flood came from blues singers and composers.
This idea constitutes a basic compositional premise that can be observed in works written by 20th-century composers operating under a number of different artistic assumptions.
The composer-performer collaboration may thus become a site for the playing out of the dialogic aspects of artistic creation.
