Voorbeelden van bar line

• Brecht's primitive notation used no time signature or bar lines, as the rhythm was to follow that of the words, which were not to be distorted when sung.

• Three other movements proceed straight into what follows with just a single bar line and (where necessary) a change of key signature or time signature.

• At a more detailed level, particular generic aspects of playing are discussed, such as getting away from the tyranny of the bar line.

• Finally, the double bar line is used to indicate a break in the music.

• Furthermore, all of the dissonances respect the boundary of the bar line.

• The bar line system was accordingly designed to avoid the frequency bands associated with visually-induced epilepsy.

• Their record of immigration, above the colour bar line, has been wide and varied.

• The last bar of this movement is fragmentary, and does not have a bar line, nor a fermata to indicate the end of the movement.

• Below are two musical bars separated by the bar line.

• However, bar lines were added in pencil on the score at some point and the poetic cue was crossed out.

• Tempus measures are indicated by a stroke above the stave, modus measures by dotted bar lines.

• If the user changes the time signature, the bar line placements change automatically, and beam scopes are automatically recomputed as directed by the new time signature.

• The aspirate melody's languorous treatment of bar lines runs counter to the rigid feel of the standard fanfare, as does the dreamy minor key setting.

• They are also unaccompanied, obviously similar in tone colour, and consciously structured to give, paradoxically, the impression of natural, 'naive' musical expression that is freely improvised without rigid bar lines.

• It is notated wholly without bar lines, so that its poetic timelessness is also literal.