At its end is a powerful ode for baritone and orchestra to the eponymous city and its treasured memory.
The eponymous hero, whose unrequited love comprises the principal theme of the opera, sings no fewer than six airs in this style.
In the medical literature, perhaps the most obvious, and certainly the most readily manifest, is to become eponymous.
What draws the eponymous character out of his self-imposed isolation is a pastoral play staged for his benefit.
How then should we read the work of ideology in the compound signifier 'twentiethcentury music', and in this, the eponymous journal?
Similarly, if the very distance of the sound has at once a phantasmagoric and an anti-identitarian quality, then the ambivalence becomes thematic in the figuration of the eponymous 'sound' itself.
The eponymous protagonist has devoted his life to combat - but it is combat of a stylized, ritual nature that takes place largely on the outskirts of ordinary life.
Waiting for his wife, the man reads about the eponymous protagonist who breaks with convention, attending the theater without a chaperone and doing other progressive things.
