Example 5b, a more detailed transcription of the same passage, shows how an additional riff presents another embedded grouping dissonance.
Terms like 'metric dissonance' and 'dissonant strata' suggest that rhythmic conflicts must always be resolved, whether in performance or analysis.
The resulting angular rhythmic confusion and displaced dissonances last almost five minutes.
In fact, it may not always be correct to regard such effects as" dissonances" at all.
In themselves neither duplication, nor short ornamental dissonances, nor fourths between these voices preclude compatibility.
There are quite a few differences in their compositional styles, such as treatment of melody and quarter-note dissonances.
In the initial parsing, dissonances are shown with crossed noteheads.
The mixed spans involved in these dissonances are therefore inherently different from those found in common-practice music, since they can never be reconciled with the metre.
