0 -- sự nhấn lệch, sự đảo phách
Any other alignment results in syncopation since there is a mismatch between the surface and underlying accents (31b).
The syncopation in the fifth foot is even more complex.
It results in only two true syncopations, but their impact is great.
The application of this syncopation rule is postsyntactic.
In meters with non-isochronous rhythm (section 5.3), syncopation only occurs in the metrical phrase with -- tetramoraic feet.
With vivid syncopations, two familiar klezmer tunes resumed before a slow, slinky 'bulgar' dance emerged, contrasted to the soloists' luminous, silky harmonics.
It also points to the prominence of syncopation in rock music.
Overwhelmingly, syncopation across foot boundaries occurs between the first and second feet, and/or the third - and the fourth feet.