The character impersonation of bourgeois theatre expresses a social and political ideology based on individualism.
One of the benefits of token usage is that it inherently supports impersonation.
Since recursive impersonation must preserve the original user's identity, impersonate demonstrates another object-oriented concept, overriding.
The dignity of historical wax effigies gave way in this account to tawdry impersonations made of cheap materials.
Perhaps the most satisfying chapter from the point of view of performance is the editors' own contribution, on the subject of comic impersonation.
Such identification will operate on the level of symbolic personification instead of true impersonation, although it should be no less vividly experienced.
The operation log is declared to be overloaded because when impersonation is in effect, the real user has to be recorded as well.
These performances are mimetic representations, of course, but by largely substituting the conventions of popular clowning for those of dramatic impersonation they effectively mock mimesis.
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