It also highlights how the narrative is interactively constructed by both narrator and interviewer.
Both images are static; in both short story and opera, the narrator's primary function is to pre-determine the moral fate of the heroine.
The narrator of this struggle for human survival is a philosopher, writing a thesis on the progression of moral ideas with civilization.
They were enriched by the narrators' knowledge of each other.
In some articles the narrators converse with factory-produced commodities; they talk and listen to objects that disclose private stories.
The scenes were held together by a narrator recounting the events.
Indeed, the orchestra contributes ever more decisively towards defining scenic events; it articulates the story through thematic structure, almost functioning as a narrator.
Thus, although a narrator's views are evident covertly through her choice of story, the overt message emanates from the characters or earlier tellers.
