0 played by plucking the strings of a musical instrument such as a violin or cello with the fingers instead of using a bow -- 手指撥奏的（地）；用指彈的（地）
The substantial first-movement development is largely in the minor, with solo bravura passages over pizzicato accompaniment featuring in both outer movements.
The very first section features a typically multi-layered texture with helter-skeltering violin scales speckled with pizzicato strings, brass and keyboards.
The source of inspiration is not hard to decipher: frequently recurring tutti pizzicato strumming figures conjure up images of water lapping the sides of gondolas.
During this particular session we were working on the idea of simultaneous pizzicato on both sides of the string.
The use of pizzicato (on-string) in the piano part, which begins the work, also helps bring the instruments' timbres closer together.
The return of the scherzo is silenced rather as the first movement, with a single pizzicato chord.
Mostly focusing on pizzicato, it includes examples of tremolo, trills, glissandos and harmonics.
In pizzicato violin, strummed or plucked guitar, and piano, the user is not in continuous contact with the primary resonator.
