Presumably this approach is a cost-saving measure of the publishers.
Complete sets, lacking five early issues, are available from the publishers.
Perhaps its publishers could be persuaded to bring it out in paperback to make these individual essays more readily available to researchers and students alike.
Given the profusion of such texts and their repeated manifestations in publisher's catalogues, one wonders how and why academic publishers continue to produce such works.
Instead, it is underedited and overpriced: the publishers missed a golden opportunity.
At a time when monographs are not easy to place, a publisher's perspective on marketable structure is not always the same as an academic's.
To give themselves solid centres publishers seek niche markets, either regional or professional, which will provide them with reasonably certain bread and butter.
During the composer's lifetime, his publishers would often scramble to provide performers with the latest changes.
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