0 a building where you can look at important objects connected with art, history, or science -- müze
Obviously, the formalised behaviour demanded of visitors is no different from that expected in museums all over the world.
A clear and outspoken choice has been made as to how the museum wants to exhibit its material.
I also do not think that the only future for museums that do want to become more popular is a 'gloomy prospect of complete commodification'.
The desire to link dramatic-looking vases to performance has also led well-respected museums to display misleadingly described vases.
By marketing our music to art galleries and museums, we can reach an audience predisposed to accept the new and unusual in artistic expression.
This manipulation begins beyond the object and outside the museum and its exhibits.
In fact, exterior walls became interior ones as the museum collection expanded.
Nineteenth-century commentators worried that museum-goers would go too far toward one or the other of these extremes.
