ตัวอย่าง concerto

• However, components of that activity (playing a piano concerto) are specifically human, such as the musicality and artistic components.

• Its companion is another concerto-like piece, but one which blurs some of the conventional distinctions between genres.

• The concerto begins with a brief fusillade of demisemiquavers from the violins, underpinned by the bass drum and capped by flourishes from the soloists.

• There are few charts of rotation or transposed inversion for these concertos.

• In quantitative terms, the surviving works are heavily dominated by concertos and related genres (sinfonie, chamber concertos and sonatas).

• The general assumption has been that each of them was designed as a substitute movement for a concerto.

• He added at least one piano concerto and three solo piano sonatas to his portfolio, soon after a sonata for piano duet.

• By the 1670s the repertories of modern church concertos had become localised and were often specific to a particular institution or choir.

• The violin concertos are neither the best nor even 'among the best' of their period.

• It is an attractive work, distinguished as probably the first real viola concerto in existence.

• Although the double concerto is only ten years old, it has less of a range than the new piece.

• When does a concerto for orchestra become a symphony?

• A touchingly elegiac ending to the concerto harks back to its introduction.

• The conflict in this concerto for orchestra is between 'time present' and 'time past'.

• The clarinet is not cast as a concerto soloist pitted against the orchestra: rather it is part of the symphonic argument, avoiding empty display.