Przykłady tenor

• Example 1 compares the organum tenors and the chant melodies on which they are based.

• Unlike most tenors, which generated numbers of different works, the motets under discussion are the only ones known to have been composed on this chant.

• Coloration was common enough in fourteenth-century motet tenors, but is rarely found in isorhythmic tenors after c. 1400.

• If we have all-girls choirs where are our tenors and basses to come from?

• Notably, the fifth is kept intact in the tenor's opening viderunt, and only changed in the second and third iterations.

• See note 12 above, on her similar thesis regarding solus tenors.

• The haute-contre line was sung by high tenors, rather than female altos or countertenors.

• Operatic tenors are not known for their reticence.

• While the compositional procedures in both motets differ, the end result is nonetheless similar: both tenors end on a different final than that of their respective chant segments.

• Performance of intentionally complex motet tenors probably did not pose a problem when the composers themselves were taking part in the performance of their work, and could explicate the music.

• The augmented tenors are, of course, not delineated with bar-line strokes as frequently as the other parts, and when coloration is 'across the bar-line', that particular bar-line stroke is omitted.

• The combination of all of these features establishes the tenor and function of the discourse.

• She describes the overly entrenched characterizations of sopranos as helpless and tenors as vulnerable and romantic.

• An important caveat pertains to every comparison of motet tenors with chants, such as the one presented here and further below.

• Please make your voices heard above those of the three tenors.