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The pianist is encouraged to experiment with the timing with chunks of 30 seconds of music to determine how the piano part flows.
What renders a performance authentic or convincing is the degree to which it reflects the pianist's conscientious, heroic attempt at performance itself.
With appropriate cues, the pianist is constantly reminded of the exact tempo and directed to the next phrase at the right time.
The book is fully referenced and includes appendices on the itineraries and repertoire of some of the pianists.
During their initial training and practice, participants reflected that they had selfdefined according to their instrumental speciality: for example, as a pianist.
A broken finger will likely have more significance for a professional pianist than for a retired poker player.
There are a lot of piano solo sections, together with complex rhythms, and thus it is essential to give the pianist some time tolerance.
By collaborating directly with composers, pianists gain insight into the composing process and each composer's original approach to music.
The relative length of each gesture guides the pianist with respect to aligning gestures with tape cues.
Involuntary motor activity in pianists evoked by music perception.
For example, the experienced pianist responds with a voice of expertise: 'could have practised more', 'original and good for someone who doesn't play the piano'.
All three skills call upon pianists to be fully focused in their approach, whilst at the same time learning to trust their intuition more frequently.
This may ease the synchronisation for the pianist, while at the same time providing cues.
A pianist (1967) who spends roughly a tenth of the time writing for music magazines.
The pianist has indeed provided a bold interpretation.
