However, like writing music for the harp or timpani, one simply cannot ignore the acoustics of the instrument.
The dolorous brass canons return, underpinned now by the oscillating seventh on timpani.
Contrast is provided by strident snappy figures for brass and wind, wildly developed by timpani, and subjected to highly-charged interactions amongst the woodwind and brass.
Timpani-backed climaxes are quickly dissipated by fugal writing for woodwind.
He also introduced soft timpani rolls to add mystery.
The movement culminated in a big climax featuring a double timpani solo, which was curtailed in favour of an unexpectedly nonchalant ending.
The whole is rounded off with an affirmative concluding major triad in the home key and a roll on timpani.
These scores are substantial, employing an orchestra with a large wind complement and timpani.
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