The less conventional fourth movement, marked "andante, non presto", is a charming and stately gavotte with elegant variations for the two violins.
The central andante is one of the more demanding portions of the suite for the pianist, as it features a 16th note triplet tremolo throughout.
An improvised adagio leads into a grand andante larghetto, a series of variations for the organ over an ostinato bass, marked piano until the forte of the last variation.
The opening is rhythmically, similar to that of the first song, and the dynamic marking is also similar: what was first "andante dolcissimo" is now "andante dolcissimo e molto espressivo".
The "andante" movement was particularly admired.
The "andante" section is not written as a separate movement, but as the second part of the opening movement, following immediately after a double bar at m. 118.
The symphony has begun andante, but it will progress to molto vivace.
The andante finishes with a diminuendo-ing long pause, and then moves into the 6/8 allegretto.
