Most, if not all of the on-farm experimentation is carried out on the land of the miller-planters who have the required resources such as land, labour and other inputs.
Miller (1997) in his analysis of disgust notes that it is the most visceral of emotions.
Miller (1992) proposes the ' edge feature principle ', augmented by a few linear precedence constraints, to explain the position of phrasal affixes within the phrase.
Miller does not only agitate the audience present at his performance.
Miller has placed the petition in the foyer of the theatre.
Miller attempts to deal with a series of these questions, but here his work is at its weakest.
Miller's interest in the city as a site of performance has much in common with contemporary currents in ethnology and sociology.
Miller presents us with a striking, perhaps tidy, parallelism between architecture and episcopal power.
