The dream had already been a part of the cinema's standard repertoire for some time before the first psychoanalysts began going to the cinema.
His extreme individualism and unconventional life-style (for example, he had an "open-marriage" and "open house") did not lend itself to being judged by psychoanalysts.
King describes a contemporary climate amongst practising psychoanalysts in which colleagues would only quietly ' confess ' to working with patients who were over 40 years old.
Sadly, the response of psychoanalysts has been more defensive than welcoming of these remarkable advances.
This is possibly a reflection of the pressure exerted by psychoanalysts to establish a position of prominence in the field of analytical therapy.
At times, they seem to require sociolinguists, linguistic anthropologists, and discourse analysts to reinvent themselves as field psychoanalysts, ascribing repressed desires to those they study.
Through such uninhibited release of an associative movement within the patient's psyche, the psychoanalyst could make his way through the unconscious.
As moviegoers, the first generation of psychoanalysts encountered notions of dreaming that reminded them of their prehistory.
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