In so doing, the sonorities that are given birth maintain a somewhat familiar relationship with the original instrument.
Desonorisation is the only process that applies to inputs with flat or rising coda-onset sonority.
Once you have done that with a couple of chords then everybody is alert and everybody is aware that the sonority will change completely.
These two cluster types are not matched in terms of sonority profile.
To be more specific: the sonorities themselves suggested the formal and expressive context in which they might take place.
Where high tone occurs, it is controlled by vowel sonority, as determined by vowel height.
On the basis of their general sonority-sequencing profiles, both configurations exhibit right dominance.
I am unaware of such cases i of vowel neutralisation that are conditional on the sonority of the foot head.
