The person's motion relative to the room or drum is real, just as his stasis relative to the earth is real.
Its arpeggiated melodic configurations create a degree of harmonic stasis appropriate for a formal beginning.
It is a wild zigzag trajectory catapulted out of furious energy into a state of graceful stasis, choreographed in five movements.
Much has been written about the metaphorical and philosophical reasons for their stasis, their inability to leave.
First, the small number of sonic elements creates stasis at the spectral and microtemporal level.
The octave describes a life of stasis and depression.
Only a dialectical balance of the polarities we experience in finitude can overcome the one-sided emphasis (in this case) upon form or stasis.
For him hierarchy and stasis will answer all.
