Примери за musicologist

• You don't have to be a musicologist to hear a beautiful note.

• Some musicologists have argued that it’s impossible to trace music styles with any specificity.

• Most of these musicologists write primarily within the area of acoustic music.

• Also, much of this research has been conducted by musicologists, many of whom specialise in past eras of music history.

• Musical notation is kept to a minimum, theoretical concepts are explained in simple terms, and prominent musicologists are given brief introductions.

• If music in this novel were a completely literary construct, musicologists might wonder why it warranted their attention and expertise.

• Some musicologists have argued for a relationship between the thirty-four chords and later musical statements in the opera, statements tied to both plot and libretto.

• It so happens that my interests as a musicologist coincide with those composers, those moments, those reasons.

• We must be careful to add all information sources, publications and interviews with the composer, other performers, musicologists, listeners and others.

• But composers and musicologists rapidly abandoned these unreliable methods of differentiation.

• More generally, a great number of descriptors of different levels must be available simultaneously to allow the musicologist to interpret individual and collective signification.

• To allow a musicologist to work efficiently with the mass of provided data, the tool itself must be capable of generating metadata: comments, markers, indexes.

• Next, the musicologist must make choices based on the data found, choices whose pertinence must be justified.

• This veritable ' skeleton in the closet' continues to trouble both ars nova aesthetics and the musicologists who concern themselves with this repertory.

• The musicologist must also reconstruct the source's history, situating and precisely describing it.

• One feature that does emerge from the work of musicologists is the role of music (and more broadly sound) in generating civic and urban identity.

• Or perhaps there was a feeling that this music 'could look after itself', that it is the common property of all musicologists.

• And why do musicologists of the music of notes continue to avoid the musicology of the music of sounds?