Примери за allegro

• After the slow first movement, the fast tempo and sonata-allegro design of the second movement more closely resembles the traditional opening movement of a symphony.

• In measure 135, the allegro con spirito 16th-note section returns in the 1st violin, punctuated by staccato eighth-notes in the other instruments.

• The dance is a brisk allegro in 2/4 time in a major key.

• The first movement is a sonata-allegro movement that is concise, with an economy of materials.

• The "allegro" is skillfully transformed into a more disciplined and broader movement than the original, while retaining its innovative spirit.

• The second "allegro" is an energetic fugue, the brief exchanges between concertino and ripieno strictly derived from the unusually long subject.

• The majority of dances, both solo and group, are built on allegro.

• The tenth variation starts the buildup to the climax with an un poco allegro e alla burla tempo.

• The second variation branches of the first and is marked allegro agitato.

• Dancers strive to exhibit ballon in large jumps as well as in small, quick jumps such as petite allegro steps.

• He marks a piece presto but plays only allegro.

• The allegro finale is in 3/8 time and is 24 measures long.

• The following allegro con fuoco section gives the ostinato to the violas, this time in diminution.

• The rest of the movement continues at allegro vivace tempo.

• The music becomes a lively rondo marked "allegro vivace", the cello solo returning with a forceful entry into the rondo theme.