Antenor has two doubled continuo airs and both occur at moments of strong dramatic irony.
Savage dramatic irony could be discerned in the man's apparent opacity.
In such cases, spatial interperformative references are established almost solely through the audience's memory and become the performative equivalent to dramatic irony.
Verbal irony is distinguished from situational irony and dramatic irony in that it is produced "intentionally" by speakers.
Narayan achieves this by using many kinds of irony, including dramatic irony.
It is this dramatic irony that drives the play.
The way to remember the name is that dramatic irony adds to the "drama" of the story.
Suspense provides dramatic irony as the audience indulges itself within the characters' situation and privacy of their backgrounds.
